Signatures of the visible

Frederic Jameson

In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

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[目次]

  • Introduction Part 1: 1. Reification and Utopia in Mass Culture 2. Class and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film 3. Diva and French Socialism 4. 'In the destructive element immerse': Hans-Jurgen Syberberg and Cultural Revolution 5. Historicism in The Shining 6. Allegorizing Hitchcock 7. On Magic Realism in Film Part 2: 8. The Existence of Italy Notes Index

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この本の情報

書名 Signatures of the visible
著作者等 Jameson, Fredric
シリーズ名 Routledge classics
出版元 Routledge
刊行年月 2007, c1992
ページ数 x, 350 p.
大きさ 20 cm
ISBN 9780415771610
NCID BA82035995
※クリックでCiNii Booksを表示
言語 英語
出版国 アメリカ合衆国
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