This 1998 book is the fourth volume of essays by actors with the Royal Shakespeare Company. Twelve actors describe the Shakespearian roles they played in productions between 1992 and 1997. The contributors are Christopher Luscombe, David Tennant, Michael Siberry, Richard McCabe, David Troughton, Susan Brown, Paul Jesson, Jane Lapotaire, Philip Voss, Julian Glover, John Nettles, and Derek Jacobi. The plays covered include The Merchant of Venice, Love's Labours Lost, The Taming of the Shrew, The Winter's Tale, and Romeo and Juliet, among others. The essays divide equally among comedies, histories, and tragedies, with emphasis among the comedies on those notoriously difficult 'clown' roles. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages.

「Nielsen BookData」より

This is the third volume of essays by actors with the Royal Shakespeare Company. Thirteen actors describe the Shakespearian roles they played in productions between 1987 and 1991. The contributors are Roger Allam, Simon Russell Beale, Brian Cox, Gregory Doran, Penny Downie, Ralph Fiennes, Deborah Findlay, Philip Franks, Anton Lesser, Maggie Steed, Sophie Thompson, Harriet Walter and Nicholas Woodeson. The plays covered include Hamlet, Richard III, The Merchant of Venice, As You Like It, Much Ado About Nothing, Measure for Measure and important theatrical rarities such as Cymbeline, Titus Andronicus, King John and the Henry VI plays in the Royal Shakespeare Company's highly successful adaptation retitled The Plantagenets. A brief biographical note is provided for each of the contributors.

「Nielsen BookData」より

This is the second volume of essays by actors with the Royal Shakespeare Company. Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. The contributors are Roger Allam, Frances Barber, Kenneth Branagh, Niamh Cusack, Ben Kingsley, Ian McDiarmid, Daniel Massey, Edward Petherbridge, Alan Rickman, Fiona Shaw, Antony Sher, Juliet Stevenson, David Suchet and Zoe Wanamaker. Each gives a unique insight into the preparation and performance of a major Shakespearean role and how a character is created through responding to Shakespeare's text, within the context of a particular director's conception and the environment established by the designer. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages, and of the music and design for the particular productions.

「Nielsen BookData」より