Companion to contemporary musical thought
v. 1 ~ v. 2
edited by John Paynter ... [et al.]
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
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[目次]
PART 1 PEOPLE AND MUSIC Music, non-music and the soundscape
Public performance and the concert as categories of musical action
What makes music musical?
Musical as cultural text
Music and the arts in pre-Renaissance and Renaissance worship: a question of `expression'
On Patronage: `Musick, that mind-tempering art' PART 2 THE TECHNOLOGY OF MUSIC Towards a new age in the technology of computer music
Composition with machines
Artistic necessity, context orientation, configurable space
Music and image on film and video: an absolute alternative
New (musical) instruments in the computer age: amplified performance systems and related examples of low-level technology
The listening imagination: listening in the electroacoustic era
Composing sounds with computers PART 3 THE STRUCTURE OF MUSIC Musical analysis
Analysis and the composer
New directions: The conception and development of a composition
Psychological structures in music
Aural training: material and method PART 4 THE INTERPRETATION OF MUSIC Performance practice studies: some current approaches to the early music phenomenon
Musical instruments and performers of the past
Vocal consort style and tunings
Authentic pronunciations for early music
Producer for early music: a cog in the mechanism of musical life.
「Nielsen BookData」より
書名
Companion to contemporary musical thought
著作者等
Paynter, John
Howell, Tim
Orton, Richard
Seymour, Peter
Mellers, Wilfrid