First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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[目次]
Series' Editors' Foreword. Acknowledgements. Introduction Todd Borgerding 1. Isabella Medici-Orsini: A Portrait of Self-Affirmation Donna G. Cardamone 2. "Simil combattimento fatto de Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History Nina Treadwell 3. Madalena Casulana: My body knows unheard of songs Thomasin LaMay 4. Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle Kelley Harness 5. La Nonne Della Ninfa: Feminine Voices and Modal Rhetoric in the Generations Before Monteverdi Laurie Stras 6. Gossip, Erotica, and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567) Christina Fuhrmann 7. Construction of Desire in Early Baroque Instrumental Music Andrew Dell'Antonio 8. Music, Sex and Ethnicity: Signification in Lully's Theatrical Costumes Rose A. Pruiksma 9. Sic ego te dilegebam: Music, Homoeroticism, and the Sacred in Early Modern Europe Todd Borgerding 10. Christine de Pizan and the 'Dueil Angoisseux'ii Liane Curtis Postscript: Dancing with the Ingrate Suzanne Cusick