Modern music and after

Paul Griffiths

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. 'We live' as Griffiths says, 'among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge. In addition to the composers mentioned above, others whose music is discussed include Steve Reich, Jean Barraque, Elliott Carter, Olivier Messiaen, Gyorgy Kurtag, Bill Hopkins, Harrison Birtwhistle and Gyorgy Ligeti. Publication and recording details are given for the works of all these composers and many others. For its breadth and for its wealth of detail, Modern Music and After will appeal to both student and the general reader in search of a lively and comprehensive introduction to the music of our time.

「Nielsen BookData」より

この本の情報

書名 Modern music and after
著作者等 Griffiths, Paul
書名別名 Modern music and after : directions since 1945
出版元 Oxford University Press
刊行年月 1995
版表示 2 Rev ed
ページ数 xv, 373 p.
大きさ 24 cm
ISBN 0198165781
0198165110
NCID BA26778392
※クリックでCiNii Booksを表示
言語 英語
出版国 アメリカ合衆国
この本を: 
このエントリーをはてなブックマークに追加

このページを印刷

外部サイトで検索

この本と繋がる本を検索

ウィキペディアから連想