Black music in the Harlem Renaissance : a collection of essays

edited by Samuel A. Floyd, Jr

By the mid-1920s, the Harlem Renaissance was underway. As an effort to secure economic, social and cultural equality with white citizens, the Renaissance years were a proving period for black composers and performers. This book explores black music in the United States and England during the 1920s and its relationship to other arts of the time. It seeks to revise previous assumptions about music during this era. The book features essays on various subjects including musical theatre, Duke Ellington, black music and musicians in England, concert singers and the interrelationships between painters and music. In addition, the book includes a music bibliography of works composed during the period.

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[目次]

  • Music in the Harlem Renaissance - an overview
  • vindication as a thematic principle in the writings of Alain Locke on the music of Black Americans
  • vocal concert music in the Harlem Renaissance
  • Harlem Renaissance ideals in the music of Robert Nathaniel Dett
  • William Grant Still, Florence Price, and William Dawson - echoes of the Harlem Renaissance
  • black musical theatre and the Harlem Renaissance movement
  • the Renaissance education of Duke Ellington
  • interactions between writers and music during the Harlem Renaissance
  • interactions between art and music during the Harlem Renaissance
  • the Negro Renaissance and England
  • bibliography of the music - the concert music of the Harlem Renaissance composers, 1919-1935.

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この本の情報

書名 Black music in the Harlem Renaissance : a collection of essays
著作者等 Floyd, Samuel A.
シリーズ名 Contributions in Afro-American and African studies
出版元 Greenwood Press
刊行年月 1990
ページ数 x, 228 p.
大きさ 24 cm
ISBN 0313265461
NCID BA36599301
※クリックでCiNii Booksを表示
言語 英語
出版国 アメリカ合衆国
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