by Susan Glaspell ; edited with an introduction by C.W.E. Bigsby ; additional textual notes by Christine Dymkowski

A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876-1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.

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  • Introduction
  • Biographical record
  • Trifles
  • The Outside
  • The Verge
  • Inheritors
  • The plays of Susan Glaspell
  • Select bibliography.

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書名 Plays
著作者等 Bigsby, C. W. E.
Dymkowski, Christine
Glaspell, Susan
Bigsby Christopher
シリーズ名 British and American playwrights, 1750-1920
出版元 Cambridge University Press
刊行年月 c1987
ページ数 vii, 161 p.
大きさ 23 cm
ISBN 0521312043
NCID BA00814559
※クリックでCiNii Booksを表示
言語 英語
出版国 イギリス


著作名 著作者名
The outside
The verge