Zen Buddhism and its influence on Japanese culture, by Daisetz Teitaro Suzuki

Most of the plates have guard sheets with descriptive letterpress;"Errata" slip inserted between p. x and xi;The second part of the work was published in the Eastern Buddhist, vol. VII, no. 1, 1936. cf. Pref

「国立国会図書館デジタルコレクション」より

[目次]

  • CONTENTS
  • PREFACE / 7
  • PART ONE
  • ZEN BUDDHISM AND ITS INFLUENCE ON JAPANESE CULTURE
  • CHAPTER
  • I. PRELIMINARY TO THE UNDERSTANDING OF ZEN / 3
  • II. GENERAL REMARKS ON JAPANESE ARTCULTURE / 13
  • III. ZEN AND THE SAMURAI / 54
  • IV. ZEN AND SWORDSMANSHIP / 66
  • V. ZEN AND THE STUDY OF CONFUCIANISM / 101
  • VI. ZEN AND THE TEA-CULT / 121
  • VII. RIKYU AND OTHER TEA-MEN / 152
  • APPENDIX
  • I. TWO MONDO FROM THE HEKIGAN ROKU / 169
  • II. "YAMA-UBA",A NOH-PLAY / 186
  • PART TWO
  • ZEN BUDDHISM AND THE JAPANESE LOVE OF NATURE
  • CHAPTER
  • I. Mount Fuji-The Meditation Room-Ota Dokwan-Saigyo-Thoreau-Emerson-Kyosei on Rain / 197
  • II. Zen and Japanese Character-Teh Religious Aspect of Zen-The Moral Aspect-The Esthetic Aspect-Dynamic Zen-Not"Spiritual Identity"-Chosa and Kyozan / 215
  • III. Ryokwan as Nature-poet,as Apostle of Poverty and Solitude-Back to Nature-Freedom and Mechanisation-The Nirvana Picture-The Morning Glory-Haiku-The Tea-cult / 237
  • IV. Poems on the Cherry Blossoms / 268
  • INDEX / 279
  • LIST OF PLATES
  • MONJU(MANJUSRI),BY SHOKEI(OR POPULARLY,KEI SHOKI),OF THE ASHIKAGA PERIOD / Frontispiece
  • PLATE
  • I. SEKKYO WITH BOW AND ARROW(right),ASCRIBED TO KAIHOKU YUSHO(1533-1615)
  • KANZAN AND JITTOKU(left),BY ROSETSU(1751-1799) / Facing page8
  • II. "A FISHING BOAT,"BY BAYEN(MA-YUAN),OF SUNG DYNASTY / 〃14
  • III. A TEA-HOUSE AND A TEA-ROOM / 〃20
  • IV. A CORNER OF THE GINKAKUJI GARDEN AND OF THE SAIHOJI GARDEN / 〃21
  • V. "THE WELCOMING AMIDA TRINITY,"BY YESHIN SODZU,OF THE FUJIWARA PERIOD / 〃23
  • VI. DRAGON AND TIGER,BY MOKKEI(MU-CHI),OF THE SUNG DYNASTY / 〃24
  • VII. BAMBOO,BY SENGAI,OF THE LATE TOKUGAWA ERA / 〃26
  • VIII. THE INFANT BUDDHA STANDING IN THE BASIN,OF THE NARA PERIOD,OWNED BY TODAIJI / 〃31
  • IX. RINZAI(LIN-CHI)THE ZEN MASTER(right),AND A ZEN MONK(left),BY HAKUIN / 〃35
  • X. HOJO TOKIMUNE(right)AND BUKKO KOKUSHI(left) / 〃40
  • XI. FUDO MYOO(left)AND MONJU(right) / 〃67
  • XII. SWORDSMITHS AT WORK,AND SWORDS / 〃69
  • XIII. TAKUAN THE ZEN MASTER / 〃73
  • XIV. "A CATFISH AND A GOURD,"BY JOSETSU / 〃85
  • XV. BASO(MA-TSU)AND HO KOJI(P`ANG CHU-SHIH)(left),GUTEI'S(CHU-TI)"ONE FINGER ZEN"(right) / 〃95
  • XVI. "A BIRD ON A DEAD BRANCH,"BY MIYAMOTO MUSASHI(1582-1645) / 〃98
  • XVII. "THREE SAGES TASTING VINEGAR,"BY KAIHOKU YUSHO(1533-1615) / 〃101
  • XVIII. MUSO KOKUSHI(left)AND KWANZAN KOKUSHI(right) / 〃107
  • XIX. EMPEROR GODAIGO(right)AND DAITO KOKUSHI(left) / 〃119
  • XX. YOSAI(right)AND IKKYU(left) / 〃124
  • XXI. SHOTOKU TAISHI / 〃127
  • XXII. TOYOTOMI HIDEYOSHI(upper)AND SEN NO RIKYU(lower) / 〃133
  • XXIII. BASHO THE HAIKU POET,BY BUSON(left)AND BY ROSETSU(right) / Facing page144
  • XXIV. LANDSCAPE,BY SESSHU / 〃150
  • XXV. LANDSCAPE,BY KANO TANNYU / 〃164
  • XXVI. YUIMA(VIMALAKIRTI) / 〃175
  • XXVII. "YAMAUBA,"BY ROSETSU / 〃186
  • XXVIII. MOUNT FUJI,BY TAIGA(1723-1776) / 〃200
  • XXIX. DOGEN(left)AND YENGO(right) / 〃211
  • XXX. "THE FUYO PLANT DRENCHED IN RAIN,"BY MOKKEI(MU-CHI) / 〃225
  • XXXI. KANZAN AND JITTOKU,BY KAIHOKU YUSHO / 〃229
  • XXXII. YENO(HUI-NENG)POUNDING RICE,BY TAIGA / 〃232
  • XXXIII. "KENSU(HSIEN-TZE)THE SHRIMP-EATER"(left)AND"CHOTO(CHU-T`OU)THE BOAR-HEADED"(right),ASCRIBED TO KANO MOTONOBU / 〃236
  • XXXIV. THE"YORYU KWANNON,"ASCRIBED TO GODOSHI(WUTAO-TZE) / 〃239
  • XXXV. RYOKWAN AND HIS HANDWRITING / 〃245
  • XXXVI. KANZAN AND JITTOKU,BY GANKI(YEN-HUI) / 〃252
  • XXXVII. BAMBOO(upper)AND THE SPRING-SEA(lower),BY TAIGADO / 〃269
  • XXXVIII. "UNDER THE GOURD-TRELLIS,"BY KUSUMI MORIKAGE / 〃276

「国立国会図書館デジタルコレクション」より

この本の情報

書名 Zen Buddhism and its influence on Japanese culture, by Daisetz Teitaro Suzuki
著作者等 鈴木 大拙
シリーズ名 The Ataka Buddhist library
出版元 The Eastern Buddhist society
刊行年月 1938
言語 英語
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