Zen Buddhism and its influence on Japanese culture, by Daisetz Teitaro Suzuki

Most of the plates have guard sheets with descriptive letterpress;"Errata" slip inserted between p. x and xi;The second part of the work was published in the Eastern Buddhist, vol. VII, no. 1, 1936. cf. Pref

「国立国会図書館デジタルコレクション」より

[目次]

  • CONTENTS
  • PREFACE / 7
  • PART ONE
  • ZEN BUDDHISM AND ITS INFLUENCE ON JAPANESE CULTURE
  • CHAPTER
  • I. PRELIMINARY TO THE UNDERSTANDING OF ZEN / 3
  • II. GENERAL REMARKS ON JAPANESE ARTCULTURE / 13
  • III. ZEN AND THE SAMURAI / 54
  • IV. ZEN AND SWORDSMANSHIP / 66
  • V. ZEN AND THE STUDY OF CONFUCIANISM / 101
  • VI. ZEN AND THE TEA-CULT / 121
  • VII. RIKYU AND OTHER TEA-MEN / 152
  • APPENDIX
  • I. TWO MONDO FROM THE HEKIGAN ROKU / 169
  • II. "YAMA-UBA",A NOH-PLAY / 186
  • PART TWO
  • ZEN BUDDHISM AND THE JAPANESE LOVE OF NATURE
  • CHAPTER
  • I. Mount Fuji-The Meditation Room-Ota Dokwan-Saigyo-Thoreau-Emerson-Kyosei on Rain / 197
  • II. Zen and Japanese Character-Teh Religious Aspect of Zen-The Moral Aspect-The Esthetic Aspect-Dynamic Zen-Not"Spiritual Identity"-Chosa and Kyozan / 215
  • III. Ryokwan as Nature-poet,as Apostle of Poverty and Solitude-Back to Nature-Freedom and Mechanisation-The Nirvana Picture-The Morning Glory-Haiku-The Tea-cult / 237
  • IV. Poems on the Cherry Blossoms / 268
  • INDEX / 279
  • LIST OF PLATES
  • MONJU(MANJUSRI),BY SHOKEI(OR POPULARLY,KEI SHOKI),OF THE ASHIKAGA PERIOD / Frontispiece
  • PLATE
  • I. SEKKYO WITH BOW AND ARROW(right),ASCRIBED TO KAIHOKU YUSHO(1533-1615)
  • KANZAN AND JITTOKU(left),BY ROSETSU(1751-1799) / Facing page8
  • II. "A FISHING BOAT,"BY BAYEN(MA-YUAN),OF SUNG DYNASTY / 〃14
  • III. A TEA-HOUSE AND A TEA-ROOM / 〃20
  • IV. A CORNER OF THE GINKAKUJI GARDEN AND OF THE SAIHOJI GARDEN / 〃21
  • V. "THE WELCOMING AMIDA TRINITY,"BY YESHIN SODZU,OF THE FUJIWARA PERIOD / 〃23
  • VI. DRAGON AND TIGER,BY MOKKEI(MU-CHI),OF THE SUNG DYNASTY / 〃24
  • VII. BAMBOO,BY SENGAI,OF THE LATE TOKUGAWA ERA / 〃26
  • VIII. THE INFANT BUDDHA STANDING IN THE BASIN,OF THE NARA PERIOD,OWNED BY TODAIJI / 〃31
  • IX. RINZAI(LIN-CHI)THE ZEN MASTER(right),AND A ZEN MONK(left),BY HAKUIN / 〃35
  • X. HOJO TOKIMUNE(right)AND BUKKO KOKUSHI(left) / 〃40
  • XI. FUDO MYOO(left)AND MONJU(right) / 〃67
  • XII. SWORDSMITHS AT WORK,AND SWORDS / 〃69
  • XIII. TAKUAN THE ZEN MASTER / 〃73
  • XIV. "A CATFISH AND A GOURD,"BY JOSETSU / 〃85
  • XV. BASO(MA-TSU)AND HO KOJI(P`ANG CHU-SHIH)(left),GUTEI'S(CHU-TI)"ONE FINGER ZEN"(right) / 〃95
  • XVI. "A BIRD ON A DEAD BRANCH,"BY MIYAMOTO MUSASHI(1582-1645) / 〃98
  • XVII. "THREE SAGES TASTING VINEGAR,"BY KAIHOKU YUSHO(1533-1615) / 〃101
  • XVIII. MUSO KOKUSHI(left)AND KWANZAN KOKUSHI(right) / 〃107
  • XIX. EMPEROR GODAIGO(right)AND DAITO KOKUSHI(left) / 〃119
  • XX. YOSAI(right)AND IKKYU(left) / 〃124
  • XXI. SHOTOKU TAISHI / 〃127
  • XXII. TOYOTOMI HIDEYOSHI(upper)AND SEN NO RIKYU(lower) / 〃133
  • XXIII. BASHO THE HAIKU POET,BY BUSON(left)AND BY ROSETSU(right) / Facing page144
  • XXIV. LANDSCAPE,BY SESSHU / 〃150
  • XXV. LANDSCAPE,BY KANO TANNYU / 〃164
  • XXVI. YUIMA(VIMALAKIRTI) / 〃175
  • XXVII. "YAMAUBA,"BY ROSETSU / 〃186
  • XXVIII. MOUNT FUJI,BY TAIGA(1723-1776) / 〃200
  • XXIX. DOGEN(left)AND YENGO(right) / 〃211
  • XXX. "THE FUYO PLANT DRENCHED IN RAIN,"BY MOKKEI(MU-CHI) / 〃225
  • XXXI. KANZAN AND JITTOKU,BY KAIHOKU YUSHO / 〃229
  • XXXII. YENO(HUI-NENG)POUNDING RICE,BY TAIGA / 〃232
  • XXXIII. "KENSU(HSIEN-TZE)THE SHRIMP-EATER"(left)AND"CHOTO(CHU-T`OU)THE BOAR-HEADED"(right),ASCRIBED TO KANO MOTONOBU / 〃236
  • XXXIV. THE"YORYU KWANNON,"ASCRIBED TO GODOSHI(WUTAO-TZE) / 〃239
  • XXXV. RYOKWAN AND HIS HANDWRITING / 〃245
  • XXXVI. KANZAN AND JITTOKU,BY GANKI(YEN-HUI) / 〃252
  • XXXVII. BAMBOO(upper)AND THE SPRING-SEA(lower),BY TAIGADO / 〃269
  • XXXVIII. "UNDER THE GOURD-TRELLIS,"BY KUSUMI MORIKAGE / 〃276

「国立国会図書館デジタルコレクション」より

この本の情報

書名 Zen Buddhism and its influence on Japanese culture, by Daisetz Teitaro Suzuki
著作者等 鈴木 大拙
シリーズ名 The Ataka Buddhist library
刊行年月 1938
言語 英語
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