Composing for the screen in Germany and the USSR : cultural politics and propaganda

edited by Robynn Stilwell and Phil Powrie

Despite the long history of music in film, its serious academic study is still a relatively recent development and therefore comprises a limited body of work. The contributors to this book, drawn from both film studies and musicology, attempt to rectify this oversight by investigating film music from the vibrant, productive, politically charged period before World War II. They apply a variety of methodologies - including archival work, close readings, political histories, and style comparison - to this under explored field.

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[目次]

  • IntroductionI. Germany1. Film Music in the Third Reich / Robert E. Peck
  • 2. Herbert Windt's Film Music to Triumph of the Will: Ersatz-Wagner or Incidental Music to the Ultimate Nazi-Gesamtkunstwerk? / Reimar Volker
  • 3. Alban Berg, Lulu, and the Silent Film / Marc Weiner
  • 4. From Revolution to Mystic Mountains: Edmund Meisel and the Politics of Film / Christopher Morris
  • 5. New Technologies and Old Rites: Dissonance between Picture and Music in Readings of Joris Ivens's Rain / Ed Hughes
  • 6. Composition with Film: Mauricio Kagel as Filmmaker / Bjorn HeileII. The USSR7. "Rhythm, Rhythm, and Before All Else Rhythm!": Music and Eisenstein's Theory of Montage / Julie Hubbert
  • 8. Aleksandr Nevskiy: Prokofiev's Successful Compromise with Socialist Realism / Rebecca Schwartz-Bishir
  • 9. In Marginal Fashion: Sex, Drugs, Russian Modernism, and New Wave Music in Liquid Sky / Mitchell Morris

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この本の情報

書名 Composing for the screen in Germany and the USSR : cultural politics and propaganda
著作者等 Powrie, Phil
Stilwell Robynn
Stilwell Robynn Jeananne
出版元 Indiana University Press
刊行年月 c2008
ページ数 187 p.
大きさ 24 cm
ISBN 9780253219541
NCID BA87219598
※クリックでCiNii Booksを表示
言語 英語
出版国 アメリカ合衆国
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